Digital Portfolio | March 2026

Shannon Garden-Smith, Snail work: for the lake (installation view at the start of the exhibition), Unfixed, pigmented sand, 98’ x 22’, Part of “Cat’s Cradle,” Curated by Danica Pinteric, Nuit Blanche Toronto, 2024

Shannon Garden-Smith, Snail work: for the lake (installation view at the start of the exhibition), Unfixed, pigmented sand, 98’ x 22’, Part of “Cat’s Cradle,” Curated by Danica Pinteric, Nuit Blanche Toronto, 2024

Shannon Garden-Smith, Snail work: for the lake (installation view at the start of the exhibition), Unfixed, pigmented sand, 98’ x 22’, Part of “Cat’s Cradle,” Curated by Danica Pinteric, Nuit Blanche Toronto, 2024

Shannon Garden-Smith, Snail work: for the lake (installation view at the start of the exhibition), Unfixed, pigmented sand, 98’ x 22’, Part of “Cat’s Cradle,” Curated by Danica Pinteric, Nuit Blanche Toronto, 2024

Shannon Garden-Smith, Snail work: for the lake (installation view at the start of the exhibition), Unfixed, pigmented sand, 98’ x 22’, Part of “Cat’s Cradle,” Curated by Danica Pinteric, Nuit Blanche Toronto, 2024

Shannon Garden-Smith, Mind Furniture (Dust Drawings), Pigmented sand dust, acrylic sheets, 43” x 89” Curated by Clara Halpern, 2024 Art Gallery of York University (AGYU), Tkaronto/Toronto

Shannon Garden-Smith, Mind Furniture (Dust Drawings) (detail), Pigmented sand dust, acrylic sheets, 43” x 89” Curated by Clara Halpern, 2024 Art Gallery of York University (AGYU), Tkaronto/Toronto

Shannon Garden Smith, Dust Print III, IV (recueil de cartes) , Pigmented sand dust, acrylic sheet, 12” x 18”, 2025

Shannon Garden Smith, Dust Print VI (recueil de cartes), Pigmented sand dust, acrylic sheet, 12” x 18”, 2025

Shannon Garden Smith, Dust Print VI (recueil de cartes) (detail), Pigmented sand dust, acrylic sheet, 12” x 18”, 2025

Shannon Garden-Smith, Leaf, recueil de cartes (dust) series, Archival digital print on 100% cotton, acid-free, hot press paper; pigmented sand dust on acrylic, 20” x 28” each, 2025

Shannon Garden-Smith, Leaf, recueil de cartes I (dust), Archival digital print on 100% cotton, acid-free, hot press paper; pigmented sand dust on acrylic, 20” x 28”, 2025

Shannon Garden-Smith, Dust Jacket, One-thousand two hundred digital prints on bond paper, aluminum armature, 72” x 50’ 7”, 2025

Shannon Garden-Smith, Dust Jacket (detail), One-thousand two hundred digital prints on bond paper, aluminum armature, 72” x 50’ 7”, 2025

Shannon Garden-Smith, Dust Jacket (detail), One-thousand two hundred digital prints on bond paper, aluminum armature, 72” x 50’ 7”, 2025

Shannon Garden-Smith, Opposite the spine (vitrine) I, Digital prints on paper, Optium museum acrylic vitrine, 16” x 12” x .5”, 2025

Shannon Garden-Smith, Blinds II (diptych for University College) (installation view at the conclusion of the exhibition), Gelatin, jewelry, photo transfer, dyed window blinds ladder strings, 73.25” x 212.5”. In “Acts of Preservation, Acts of Decay” curated by Erin Storus, 2023, Art Museum at the University of Toronto

Shannon Garden-Smith, Blinds II (diptych for University College) (installation view at the conclusion of the exhibition), Gelatin, jewelry, photo transfer, dyed window blinds ladder strings, 73.25” x 212.5”. In “Acts of Preservation, Acts of Decay” curated by Erin Storus, 2023, Art Museum at the University of Toronto

Shannon Garden-Smith, In a hare’s form (installation view), pigmented gelatin, plant clippings, lamp cords, 2021. Solo exhibition presented by Franz Kaka (Toronto), November 26, 2021 - January 8, 2022.

Shannon Garden-Smith, In a hare’s form VII, pigmented gelatin, plant clippings, lamp cords, 2021.